Dress Like a Pirate – Part 2

Earlier this year Bernadette Banner made a Pirate Shirt. Since then there has been a tidal wave of people making similar shirts of their own. I had already thought about making myself an 18th Century Men’s shirt, but Bernadette’s video sealed my resolve to make this garment for myself. Around the same time I ordered 5 yards of handkerchief weight linen from Fabrics-Store.com. I found some inspiration photos, but my interests diverged: on the one hand I wanted to make a classic, plain shirt. On the other hand I wanted RUFFLES.

After much consideration I decided to make 2 shirts: one would be a plain 18th century shirt, the other would be a modern shirt with a neck ruffle. I made the ruffled shirt first using the Juliette Blouse pattern from Sew Over It.

Since the ruffled shirt was made with a modern pattern and a sewing machine, I decided to go full 18th century with the construction of my pirate shirt, meaning that I sewed every single stitch by hand. Sewing by hand can be extremely rewarding, but it is also quite slow when compared to machine sewing. At several points I longed to pull out my sewing machine and make some quick progress. Instead I toted my project around with me and worked on bits and pieces here and there.

I started with the sleeves: I sewed up the seams, felled down the seam allowances, seamed in the gores, gathered the sleeves down, and applied the cuffs.

Then I moved on to the body: I added in small gores at the neck, finished the front slit, gathered the neck, and applied the collar.

Finally, I gathered the sleeve heads, sewed them onto the body of the shirt, sewed the side seams, felled all the seam allowances down, and finished the hem.

The finishing touches were closures: 2 off-white buttons for the sleeve cuffs, and braided elastic closures. The sleeve closures were my one main departure from historical practice. I had cut the cuffs long enough to go around my wrists with a little ease, but not long enough to button close and still have ease. The solution was to create a thread loop for the button closure. Buttons are hard enough to wrangle when you have a decent buttonhole, so I braided some elastic thread to make dressing myself easier.

The photos speak for themselves: this shirt is marvelous!

Now that I have my authentic pirate shirt I need some pants, a vest, and a hat.

Drink up, me hearties, yo ho!

Sewing a Romper from a 1940s Pattern

There are 2 sewing facts that I find hard to reconcile:

  1. Most patterns don’t fit most people perfectly right out of the packet. Because of this it is recommended to make a toile or test version of the final garment.
  2. While I don’t mind making a test garment, I hate “wasting” good fabric (and the time required to sew it up) on a garment that is never going to see the light of day.

What this means for me in practice is that I often will make a test garment out of fabric that I don’t mind losing if it turns out awful, but that is nice enough that I would wear it if the garment turns out well. This is a fine line to tread, but I seem to enjoy making things more difficult for myself than they need to be.

Removing the embroidery from certain areas of my textured fabric

On the latest episode of “How Can I Make Myself Crazy?” I decided to make a toile of the Wearing History Homefront Overalls. I had bought 1 1/2 yards of a textured stretch denim and 1/2 yard of the most beautiful batik from JoAnn’s last year for this garment. I traced my pattern pieces, grading between sizes to fit my body (I am pear-shaped, and I had read multiple reviews that said this pattern runs slim in the hips). Instead of facing the top edges I chose to fully line the bodice and straps. I also decided to remove the embroidered stitches in the straps and waistband to really make the texture pop in the rest of the garment. With these details sorted I cut out my fabric and set about removing the embroidery stitches. I sewed together the shorts with basting stitches and did a fitting. I used the bodice lining for my fitting, since I was rather short on fabric and would not be able to cut a second bodice if my first attempt turned out too small.

With both the bodice and the shorts fitted to me, I set about attaching all the pieces together. I didn’t follow the instructions, since I’ve made several pairs of shorts and pants before, and since I was making several major changes to the pattern (fully lining the bodice and waistband, etc.).

I finished my seams along the way: all the raw edges are enclosed in lace tape or in some sort of lining. When attaching the straps and the side placket I did my best to follow the lines of the embroidery to make the attachment stitches almost invisible. I love a clean finish in a garment!

I ran out of matching thread just as I finished the construction, but before I sewed the buttonholes. After a bit of hemming and hawing I decided to sew the buttonholes in cream thread. They don’t match perfectly, but they don’t stand out as an eyesore, either.

Things I love about this garment:

  • I LOVE the buttons! I had just enough of these beautiful rose buttons in my stash for the straps and side opening.
  • The fabric is really fun.
  • Taking the time to fully line the pockets, bodice, straps, waistband, and placket makes the inside of the garment very pretty and makes me feel that the garment is really sturdy.

Things I don’t love about this garment:

  • Despite taking the time to fit the bodice I somehow got it too small. I can squeeze into it, but it’s not as comfortable as it could be. This is entirely my own fault, not the fault of the pattern.
  • It’s hard to balance needing to shorten the back to better fit my swayback and having enough room to sit down in these. I didn’t make any swayback adjustments, and I’m glad I didn’t – I might not have had enough room to sit down comfortably.
  • The button placket makes it hard to get in and out of this (and I have to undo all the buttons every time I go to the bathroom). If I were to make another romper or pair of overalls again from this pattern I would choose a zipper rather than buttons.
  • I like using the selvedge edges of my fabric, but the selvedge edge is visible on the side placket, which isn’t the cleanest look. The visibility of this edge is also partly due to fit issues.
  • The shorts are too short. I cut the legs to the line indicated in the pattern. They’re not excessively short, I just prefer my shorts a little bit longer. I have a tan line a few inches lower on my leg where my other pairs of shorts end.
  • The legs are extremely wide. The pattern is made to be this way, I’m just not used to such a wide leg, and since my fabric is stiff rather than drapey the legs stand out from my body. Again, this is not a fault of the pattern, just an area where I need to adjust my expectations.

I intended these to be a toile of the trousers you can make from this pattern, but I’m not sure I met my goal. I determined that the trousers fit, and I made adjustments to the front and back darts, but I wish I had taken the time to truly fit them to myself instead of rushing to the finish line on this garment. Patience is a virtue, but I only possess it in limited quantities.

Do you take the time to sew a toile or muslin? How do you solve the problem of good fit vs. wasted fabric?

Plaid Floral Pants

Late last year I realized that I didn’t like any of my clothes. I hadn’t bought anything new in quite a while (thanks COVID!) and many of the items in my closet were old and showing signs of wear. I take immense pleasure in dressing prettily, so my dilapidated wardrobe was actively making me unhappy. I decided to approach the problem from two directions: I would buy several garments depending on what I could find in stores and what I didn’t think I could easily make myself, and I would make items I wanted to make or couldn’t find in stores. I made a list of garments I wanted to add to my wardrobe or replace, and I listed out some colours or styles I specifically wanted to target. Then I went shopping for clothes … and ended up returning half of the garments I bought due to fit issues. This further fueled my resolve to make my own clothes. Next I went online and picked out a whole host of beautiful fabrics to make myself beautiful clothes. You’ve seen quite a few of the garments I made from this bulk purchase, and I still have several fabrics that I haven’t even cut into yet!

When I first saw this floral plaid ponte knit from StyleMaker Fabrics I knew I had to have it for myself. It was just so beautiful! I bought enough to make a pair of pants. I had already made a pair of Cigarette Pants using a similar knit ponte, so I knew my pattern fit me, but that I needed to make a few alterations to accommodate the fabric. My main alterations were to narrow the pants from waist to hem by about half an inch per pattern piece and to add a plain waistband instead of the internal waistband from the pattern.

I used zig-zag and lightning stitches for everything to reduce the possibility of popped seams (and because my new machine allows me to use fancy stitches whenever I like!). The sewing went quite quickly once I had started, and within a few hours I had a lovely new pair of pants!

I really like these pants! They fit great, and the make quite a statement (maybe too much of a statement?). As with everything, however, there are a few things I don’t like:

  • The plaid doesn’t quite match up due to a pattern error (I’ve fixed this on my pattern so it doesn’t come up again).
  • I’m pleased with the waistband, but I want to futz with it a little. The waistband is made from a long strip of fabric, with a length of 1″ elastic inside. I zig-zagged the elastic to the inside of the waistband to prevent it twisting. I applied the front of the waist band to the pants, and then top-stitched the under-side down, but I folded it too far away from the edge, so the seam allowances are not caught in the waistband like they should be.
  • The waistband is maybe a little bit too tight?
  • I intentionally left the pants long because I don’t like my ankles showing when I’m sitting down (weird, I know). This worked a treat with my herringbone pants, but in these pants it just causes leg wrinkles due to the tighter fit in the leg. You can’t see this in the photos because I folded up the hem by about an inch to make them the perfect length.
  • These pants are loud, and I can only wear certain colours/styles with them. Since I’m still rebuilding my wardrobe this is severely limiting the amount of wear I can get out of these pants right now.

Despite the flaws in my garments, I see so much progress in my skills and abilities over the last few years. I am so proud of myself for making beautiful garments that fit and look pretty professional. And let’s not forget that professionals make mistakes, too. I don’t know if I’ve ever looked at store-bought clothes as closely as the clothes I make for myself, but I know that I’ve seen some weird stuff in purchased clothes over the years, too.