Making a 1920s One Hour Dress

I meant to make myself a 1920s dress last year (2020) since it was the centennial of that glorious decade, but that didn’t happen for various reasons. But you know what, 2021 is the centennial of 1921, and I still wanted a dress from this era. So I made one.

I had bought 2 1/2 yards of this beautiful rust-coloured rayon in my bulk fabric purchase early this year. I took my measurements and followed the Closet Historian’s extensive tutorial to create my pattern and dress (patterning, cutting and sewing, sewing and finishing, hip fullness, variations). I planned to use French Seams throughout. Since my fabric was 60″ wide I was able to fold it in half selvedge to selvedge and use 1 1/4 yards of fabric, leaving over 1 yard to use in another garment down the road (I originally bought this rayon to make a blouse).

With my pattern ready I drew cutting and seam lines on my fabric and made the few cuts necessary. This was stressful, since rayon is shifty and I hadn’t made a muslin. I was surprised at how little fabric waste there was after cutting.

With my fabric cut I sewed the side seams and lower sleeve seams. Next I pleated the extra material at the sides and finished these pleats off internally with a bit of lace from my stash. Then I sewed the shoulder seams.

At this point my garment was almost done, but I wanted to try it on before finalizing the dress. I’m glad I did this, because I needed to remove an inch from the shoulder seam to prevent wrinkling around my hips. I also took this opportunity to draw in my neckline. With the fitting done, I re-worked the shoulder seams, cut out the neckline, and started on the finishing.

The skirt hem, sleeve hems, and neck opening are all finished with a simple double-turn hem (although this was a bit tricky at the neck because of the French Seams at the shoulder. I considered finishing these edges by hand, but I don’t mind the machine stitches showing since this is not meant to be a couture garment.

The final touch was to sew up a coordinating belt. I had a tiny bit of fabric left over from the clutch I made for my wedding, so I cut that into a belt-y shape, sewed around the the edges, turned it out, ironed, and top-stitched the opening closed. It turned out quite a bit shorter than I wanted, but it makes a very cute bow when tied at the hip.

I love the colour and the movement of this fabric and I love how the dress turned out! The idea of 1920s fashion has been tantalizing me for a while, but I was always afraid it would be unflattering on me because of my pear-shaped body. The Closet Historian helped me have confidence that I could look lovely in these styles, too. The secret is to pattern the dress for the body you have. I have made a ’20s slip which I will go into in another post, and I may make some other period undergarments to go with this dress eventually as well.

One other thing I like about this dress: If I wear it with a belt at the waist it has a 1930s vibe. So I basically get two decades with one dress!

What styles or decades have you been wanting to try, but have been too intimidated to make the plunge?

Dear Reader, I need help.

I’m at a standstill with a colour decision and I would value your opinion.

Early in 2020 I started spinning up this braid from Deep Dyed Yarns (80/20 Merino/Silk, the colourway is unnamed) that I got in a swap in 2019. I let it sit, partially spun, for over a year before I came back to it.

I had received this braid in a swap in 2018, but had not decided what to do with it. The braid is SuperWash BFL from Two if by Hand in the Public Market colourway.

Several years ago I read an article in Ply Magazine about combining different colourways when spinning and thus creating different, more interesting outcomes through the interplay of colour in the final yarn. This idea grabbed hold of me, and I have been trying to use it ever since (here and here), but my experiments have been mostly combining a single solid colour with a coordinating multi-colour braid. With the idea of combining colourways in the back of my mind, I started to consider what a pairing of these two braids would look like. To me the colours seem like bolder and paler versions of each other: one braid is Mardi Gras, the other is almost pastel. So I spun up the Mardi Gras braid, with plans to ply the two together.

I had always planned to include a third ply in white or light grey to soften the Mardi Gras colours and help tie them into the pastels. I have a package of light grey wool that is similar to the light grey in the Deep Dyed colourway, but a little more brown. I also have a skein of cream mohair yarn (laceweight) that could give a beautiful halo to the final yarn as well as diffusing and blending the bold colours.

I was pretty set on this course of action, when I received a braid of the same colourway (but a 60/40 Organic Polwarth/Mulberry Silk base) in a swap just a few weeks ago! This opens up the possibility of having two plies of the Deep Dyed colourway with one ply of the Mardi Gras, and I love the continuity of using this third swapped braid.

Now that my original two braids are spun up I am losing my nerve. Some days I think they will be brilliant together, some days I think the combination is horrid. And now I have too many options. Reader, I need your help: which do you think is the best option?

  • Go with the original plan: Mardi Gras, Pastels, Grey
  • Go with the original plan: Mardi Gras, Pastels, Mohair
  • Spin the new braid up and ply with the original two braids
  • Create two or more individual yarns: 1 ply of Deep Dyed with 1 ply of Grey; 1 ply of Mardi Gras with 1 ply of Mohair
  • Something else entirely – what brilliant ideas do you have?