Draping a Denim Dress

Earlier this summer I bought two yards of embroidered denim chambray to make a pair of wide-legged pants. But things done always go to plan, and sometimes they turn out better than planned. Instead of making pants I decided to make a dress with the fabric.

I have never draped a garment before, but I have been working on padding up my dress form to my measurements, so it seemed like a good time to try something new. I should have draped on Muslin, but I was anxious to get started, so I used my fashion fabric. How daring!

I sewed up the darts, shoulder seams, and side seams, temporarily installed the zipper and tried the bodice on. I only needed to make a few adjustments before I was ready to move on. Even though the dress form is meant to mirror my body I was still surprised how close I got to a perfectly fitting bodice in just one step! I did make sure to transfer my pattern pieces to interfacing so I could re-use the pattern (I do my patterning on interfacing instead of paper. That way I never have to worry about the paper pattern tearing).

With the fitting done I used my front and back pattern pieces to draft facings. These were meant to be sewn on by machine and then turned out through the shoulders, but I sewed my side seams out of order and ended up slip-stitching the facing down around the arms. At this point the bodice was done (except for the zipper, which I couldn’t install until the skirt was attached).

The skirt would have been extremely simple, except that I wanted to add pockets. The embroidery is placed all along one selvedge, so I used the entire two-yard length of fabric for the skirt. I pleated it to the bodice on the dress form, then made slits in the pleats at each side to add the pockets. I ran out of denim at this point, and ended up using three different fabrics for the pockets!

I seamed the pocket bags on to the slits I made in the skirt, closed the slits with what is essentially a dart, and finished the raw edges. I should mention here that all the raw edges on the dress that weren’t going to be encased were overcast by machine.

With the pocket situation sorted, I finally seamed the skirt on to the bodice and got to try the dress on for the first time! I was blown away by how much I loved it and how pretty I felt in it! I inserted the zipper, sewed up the bottom of the skirt, and sewed the hem. I attempted to minimize visible machine stitching on the dress (except for the zipper), so for the hem I sewed right next to one of the lines of embroidery for an almost perfectly invisible hem (without the trouble of sewing it up by hand).

Then I added a few finishing touches: I tacked down the facings and added a waist tape using 1” cotton twill tape from my stash (this was for peace of mind that the skirt was doubly attached and hopefully for better overall shaping at the waist). And with that the dress was done!!!

I feel so pretty in this dress! I love swishing around in it! if I was being really nit-picky I would say that I wish the bodice was a little smaller at the bust/underarm to prevent gaping, but that extra room makes the dress easier to wear with a top underneath, so I really can’t complain.

I am so pleased with how beautiful this draped dress came out. I already have another dress planned with this pattern, and I will definitely try draping again!

Can you Paint with all the Colours of the Wind?

When I was growing up Pocahontas was my favourite Disney princess. It seems she made a lasting impression on me, because a while ago I bought a few yards of this viscose blend jersey to make a dress.

My pattern was New Look A6122, and I used view A. 

After washing my fabrics, I laid everything out and cut it, doing my best to keep my fabrics on the straight of grain. It’s hard enough to cut on the straight of grain with a more stable knit like I used in my basic t-shirt recently, but this viscose blend was all kinds of shifty! As mentioned before, my sewing machine won’t do a zig-zag stitch right now, which would have been the best way to sew this dress up. I used a twin needle instead since the zig-zagging bobbin thread allows seams sewn this way to have a small amount of stretch. It’s not a perfect solution, but it’s better than a normal straight stitch.

I worked up the bodice, then tried it on for a fitting before attaching the skirt. It’s a good thing I did this, because I ended up taking 6 inches of width out of the top of the neckline, raising the bottom edge of the bodice, and removing the lower bust darts. With that done, I reattached the armsceye and waist pieces, and started work on the skirt. The pattern instructs you to make gathers with the extra fabric in both front and back, but I didn’t want to create any more bulk around my midsection. Instead I put two pleats in the front and back pieces – much more slimming.

I sewed the front pieces and the back pieces together, then sewed up the side seams. Then I attached the straps to the back piece by hand in an effort to keep the garment outer as clean and seamless as possible. I let the dress hang before hemming it. I was afraid the slippery, stretchy fabric might grow in length with time. Once it had hung on my dress form for a day or so I cut the hem, and hemmed it. 

This dress is very fun to wear! It is swooshy and feels so flattering! Every time I wear it I start singing the Pocahontas sound track! I would absolutely consider making another one, however there are some changes I would make: the waist and armscye pieces are interfaced with fusible interfacing. As you can see, the outer layer is pulling away from the interfacing in places, leading to a messy looking front. This is mainly caused by the fabric being so much stretchier than the stretch interfacing. If I did this again I would choose a fabric with much less stretch for the interfaced pieces, maybe a 100% cotton knit, and depending on the strength of that fabric I might skip the interfacing altogether. If I made this again, I would do the majority of the stitching with a zig zag stitch, possibly supplemented by some top-stitching. The twin needle works well enough, but it’s not quite stretchy enough for this fabric. Ah, the fabric. If I made this again, I would probably go for a less stretchy/slinky fabric. It’s so fun to wear, but so hard to sew!

I thought my pinafore days were over

My mom sewed a lot for me when I was a kid. She made me all sorts of lovely dresses and skirts, especially sundresses until I stopped wearing them in favor of pants around age 12. I don’t remember if she ever made me a pinafore as such, but I remember reading about them, and my sundresses certainly served the same purpose.

Recently as I was scrolling through Instagram I came across the Fleur Pinafore by Untitled Thoughts. I was entranced. But then I kept scrolling, because I don’t wear pinafores, and I haven’t since I was 12 at most. But then it kept popping up on my feed. And then I followed the hashtag. And then I found myself at the fabric store shopping for supplies to make myself a pinafore.

I bought this beautiful softly woven cotton fabric from Hobby Lobby. It’s somewhat more loosely woven than quilting cotton, which makes it drape nicely, and the colours and pattern remind me of my childhood in Arizona. I also bought some plain deep red cotton as an accent/lining fabric.

Now I am a very creative person. I’ve written knitting and tatting patterns, and I’ve drafted one or two very simple sewing patterns for myself. So when I looked at the Fleur Pinafore, I thought about how it’s pretty much just rectangles, and I decided to take my measurements and draft my own pattern. And doing that turned out pretty well, but I definitely feel that if I had bought and followed the pattern this would have taken me less time and my finished product would have turned out a little nicer. As it is, though, I’m pretty happy with what I made.

The first thing I did was to measure myself and my fabric and have a good think. I even made a little sketch! I wanted to be extra fancy with the front “bodice” block of the pinafore, so I cut and stitched this first.

Then I cut my lining fabric. I had originally planned to do my pockets, waistband, and lining all in the same wine red fabric, but it turned out that I didn’t buy quite enough. So my waistband and the front and back blocks were lined with an eggplant purple linen/rayon blend that was left over from another project. Before sewing the fashion fabric to the lining, I made up the straps so I could stitch these in with the seam. Once the front and back blocks were assembled, I turned them right side out, clipped the corners, ironed everything, and top-stitched around the edges. With this the bodice front and back were done.

The next piece I worked on was the waistband. I cut the waistband straight, as a rectangle, but with hindsight I wish I had cut it on a slight curve like a pants or skirt waistband. The red fabric originally meant for lining was cut as the outer waistband, and had interfacing fused on. Then the waistband outer and lining were centered over the bottom edge of the bodice blocks, and seamed.

The final piece to assemble was the skirt. I found that if I folded my remaining fabric in half it was the perfect length, so I cut it into 2 equal pieces along the fold line, and sewed 3 rows of basting stitches along the top of each skirt panel. Before gathering the skirt panels, I sewed them together, leaving a 5″ opening at the top of each seam. I inserted a placket into both openings, but instead of attaching both sides of the placket to the skirt, I attached one side of each placket to my pockets. The pockets had not been seamed yet, so I sewed the second half of each pocket to the second skirt panel, and then sewed the pockets together. This is hard to describe, and even harder to visualize, but it left me with a pocket and a skirt opening in the same place.

At this point I was running out of daylight, so I did a quick single-turn hem, and went to bed. The next morning I was wild to wear my new pinafore, so instead of waiting to sewing in closures I pinned it on and went about my day. This wasn’t part of the plan, but I am so glad I wore this around for a day before adding closures! It turns out that my sitting down waist measurement is about 2 inches larger than my standing up waist measurement, and I had not accounted for this in my pattern drafting. Wearing the pinafore pinned closed for a few hours helped me to figure out where the closures needed to be so I would end up with a garment I would actually enjoy wearing.

The last adjustment that needed to be made was to the hem. I cut the skirt as 2 equal rectangles, not taking into account the difference in waist-to-hem measurements in the front and back. The proper technique to fix this is to take out the waist seam and raise the waist to the right measurement, but I had already established that I was not taking the waist seam out. Instead, I cut the front panel to be an inch shorter in the front, angling to match the back panel at the side seams.

My pinafore is technically still not done. I still have a single-turn hem, and I need to do some finishing work on the pocket edges, but it is wearable, and I have loved wearing it this month!

P.S. This garment is massively cat approved! My black cat normally refuses to sit in laps, but the first day I wore this pinafore he volunteered to be a lap kitty. This dress is magic!