20 years ago, my mom and I started small embroideries to be sewn into two quilts. The idea came from a magazine, with the goal of creating one embroidered rectangle for each month of the year. I was about to turn 9, and during that summer I embroidered 11 of the 12 months. And then summer came to an end, and the project sat in a box for a very long time. Early this year when I visited my family my mom gave me my completed blocks as well as the materials and instructions to finish the final block.
I traced and stitched the December block (in January, ironically) to finish the embroidery for the quilt.
The original quilt is designed to be an art quilt rather than a functional quilt, and it’s quite a small size. I love the idea of making items functional items, rather than just decorative, but I’m not it sure will be possible to make this quilt functional (for me) due to the embroidery and the small size. I need to evaluate my options to determine how this will be finished and with what fabrics.
Young girls used to make samplers to learn (and show off) new skills. In today’s day and age it is an exception rather than the rule for someone to know how to embroider and to make a sampler. My mom taught me some embroidery basics when I was young, but last year I decided I wanted to learn more stitches. Around the same time I came to this conclusion I created a Creativebug account and found Rebecca Ringquist’s Embroidery sampler tutorials. I went to her Etsy shop and ordered all 3 of the samplers she had Creativebug tutorials for.
I love how fresh and new these samplers look, especially compared to older designs that can feel stuffy and outdated.
In my head I thought I would work a new stitch every day for about 3 months and have 3 new samplers and a decent knowledge of embroidery stitches by the end of first quarter, 2021.
I started off well, and dutifully worked my stitch a day for about 10 days. Then I missed a day and made up for it the next. I would miss days and then work multiple stitches in one go. Invariably, I missed more days than I made up.
My first sampler took me from January to the end of April, so actually longer than I thought all 3 samplers would take me. But that’s alright. I enjoyed the first one, and I’m looking forward to the next two.
I used this collection of beautiful ombré embroidery floss. I’ve had this floss for years, and have always been afraid to use it because it is so beautiful and I don’t know where I got it and I don’t want it to be all used up. But what are beautiful materials for if not to be used?
Using a collection like this also helped me to keep my palette limited. When I needed to add a different material, such as yarn for a couching stitch, I tried to choose yarns that would coordinate with the colours in the floss. I also couched around the “hoop” part of the design with handspun alpaca, which felt like an extra special touch.
I had a lot of fun working this sampler, and I learned a lot! I have 2 more samplers to go and lots of embroidery floss left, so I will be embroidering on and off for a good long while.
A few years ago I was introduced to the idea of selecting a word of the year instead of, or in concert with, new year’s resolutions. I like how this is rather less specific than, say, a resolution to lose 10 pounds or start exercising every day. It is harder to gauge progress using this method, but it is also harder to feel like a failure when you still weigh the same in December and stopped going to the gym in February.
In 2019 the word I chose for myself was Enough. I chose this word because it could mean a lot of things – good enough, smart enough, pretty enough, but also, rest because you’ve done enough. Reminding myself of these concepts helped me when I felt anxious about myself or like I was always behind or nothing I did was good. One afternoon I sat down and did a small embroidery of this word – something decorative to remind me of my goal. This embroidery should have been very simple by rights, but it turns out I don’t know when to stop. I thought about taking some of the colours out, but I decided that with all its imperfections, it was still good enough.
This year, the word I chose was balance. I chose it before the Coronavirus pandemic took over the world, and while I didn’t have the pandemic in mind when I chose my word, I have found it to be very appropriate to what is going on. It’s hard to find balance when you’re not supposed to leave your house or see people. This word has been a reminder to me that even though right now I’m working at home, I don’t have to work all the time. And that getting some rest, or even relaxing and not working on a project, is part of the balance of life, too.
How do you find balance in these strange times we live in?
This year has had a bit of a theme for me: experimentation. I’ve been experimenting with spinning methods, with sourdough baking, and with sewing everything in sight. One of my experiments was with Sashiko: Sashiko is a Japanese method of quilting/surface embroidery that uses (mostly) running stitches to create interesting designs. Traditionally Sashiko is used decoratively as embroidery as well as to mend or reinforce fabrics in a beautiful way.
I had a bit of an ivory linen-blend fabric left over from a previous project, so I cut it into 2 squares, drew a grid, and started sewing. I love the Persimmon Flower stitch pattern, and I used this blog post from Sake Puppets as a tutorial.
The first pass of stitching didn’t look like much, but then I turned the piece 90 degrees and started the second part of the pattern, and that’s when the magic happened! It was thrilling to see these beautiful persimmon flower shapes appear stitch by stitch.
I found this project to be very meditative, and the finished project is quite beautiful. The front and back look different, and both are quite lovely.
Once I had finished the decorative stitching, I folded the edges of the squares to the inside and whip-stitched the edges closed.