I have been in a yellow mood this summer. I see it in my spinning and my sewing (but not so much in my knitting). It started last year with this incredible batt made by my very skilled friend Dia of Twisted Urban. I began the spinning not long after (I use a short draw when spinning woolen), but I mostly spun at our group gatherings, so my progress was slow. As I spun I formulated a plan to stretch this sunshiny perfection as far as possible: I would combine it with more yellow.
This is a braid of Targhee top by Deep Dyed Yarns in the colour way: 5 Golden Rings. I bought it a few Christmases below when it was grey and cold out and I needed a dose of sunshine. I fluffed and then split the top into nests. This fiber will be spun worsted, but I will try to incorporate as much loft as I can for a semi-worsted singles.
All this yellow needed something to mellow it, so I dug around in my stash and found a bag of Southdown rolags that I had processed from Top a few years ago. The fiber is from Beesybee on Etsy. This will be spun woolen with a short draw like the yellow Batt.
I am enjoying taking this project slow. The yarn will be incredible when it is finished!
I’m at a standstill with a colour decision and I would value your opinion.
Early in 2020 I started spinning up this braid from Deep Dyed Yarns (80/20 Merino/Silk, the colourway is unnamed) that I got in a swap in 2019. I let it sit, partially spun, for over a year before I came back to it.
I had received this braid in a swap in 2018, but had not decided what to do with it. The braid is SuperWash BFL from Two if by Hand in the Public Market colourway.
Several years ago I read an article in Ply Magazine about combining different colourways when spinning and thus creating different, more interesting outcomes through the interplay of colour in the final yarn. This idea grabbed hold of me, and I have been trying to use it ever since (here and here), but my experiments have been mostly combining a single solid colour with a coordinating multi-colour braid. With the idea of combining colourways in the back of my mind, I started to consider what a pairing of these two braids would look like. To me the colours seem like bolder and paler versions of each other: one braid is Mardi Gras, the other is almost pastel. So I spun up the Mardi Gras braid, with plans to ply the two together.
I had always planned to include a third ply in white or light grey to soften the Mardi Gras colours and help tie them into the pastels. I have a package of light grey wool that is similar to the light grey in the Deep Dyed colourway, but a little more brown. I also have a skein of cream mohair yarn (laceweight) that could give a beautiful halo to the final yarn as well as diffusing and blending the bold colours.
I was pretty set on this course of action, when I received a braid of the same colourway (but a 60/40 Organic Polwarth/Mulberry Silk base) in a swap just a few weeks ago! This opens up the possibility of having two plies of the Deep Dyed colourway with one ply of the Mardi Gras, and I love the continuity of using this third swapped braid.
Now that my original two braids are spun up I am losing my nerve. Some days I think they will be brilliant together, some days I think the combination is horrid. And now I have too many options. Reader, I need your help: which do you think is the best option?
Go with the original plan: Mardi Gras, Pastels, Grey
Go with the original plan: Mardi Gras, Pastels, Mohair
Spin the new braid up and ply with the original two braids
Create two or more individual yarns: 1 ply of Deep Dyed with 1 ply of Grey; 1 ply of Mardi Gras with 1 ply of Mohair
Something else entirely – what brilliant ideas do you have?
This is apparently a year of completing abandoned projects. I finished both my Red tunic and purple tunic (I guess I was going through a tunic phase when I started these a few years ago), and now I have another finished object that has been saved from the obscurity of the UFO pile. Early last September I warped my loom with some handspun and started weaving with a ball of Kidsilk Haze from my stash.
I had never worked with mohair before, and wanted to see what would happen when I wove with it. I also had never worked with different colours in the warp and weft, and was curious to see what colour the finished fabric would read as.
I started with plain weave, then worked 3 rows of Brooks Bouquet lace about 6 inches from each end. The rest of the scarf is plain weave.
Initially the ends were finished with overhand knots, as I didn’t have a fringe twister and didn’t want to twist all those ends by hand.
I recently got a fringe twister from Fiber Artist’s Supply, so the ends have finally been twisted into a neat and tidy fringe.
Overall I’m pleased with how this experiment turned out. It’s light as air, and the lace is very pleasing. I am a bit worried about the prickle factor, but I find that fabrics seems less prickly when I am cold, so I am hoping this will not be a problem.
My mom and my Nana are both expert Crocheters. One summer when I was maybe 10 my mom made this incredible afghan with textured roses on a tan and white background. She taught me the basics of crochet, but for some reason I wasn’t very interested. I preferred sewing/embroidery, reading, and playing outside with my brothers.
Now that I am an adult I have a renewed interest in learning ALL THE HANDCRAFTS, so I’m dabbling in crochet again. Through my public library I have access to CreativeBug, and I’m working my way through a Crochet Stitch Sampler class with Twinkie Chan. So far I’ve practiced single crochet, half-double, double, and treble stitches (US terminology). Increasing and decreasing seem straightforward (though I haven’t practiced them yet) and I am excited to learn the proper way to work in the round (I’m pretty sure I messed that up last time I tried it).
Learning new crochet stitches has reminded me how much I love the simple Granny stitch. I’ve been browsing crochet patterns on Ravelry (as one does) and found a simple chevron Granny stitch cowl pattern. After a bit of dithering on what yarn to use, I settled on an autumnal handspun skein I finished around this time last year. There is nothing like a beautiful handspun yarn to elevate a simple project.
I seem to be incapable of simply following a pattern: Instead of using the suggested yarn and hook, I used a much smaller yarn (DK vs. Bulky) and thus, a different hook than called for. I worked the pattern for a few rows before deciding the fabric was a little more stiff than I wanted it to be. So I ripped it out and started again with a bigger hook and slightly smaller stitch count.
I very much like the fabric I am getting with the larger hook, so I’m hoping it will be smooth sailing from here.
Last October I bought some fiber for my birthday. This is “Lake Huron” on Targhee by Deep Dyed Yarns.
A few days later I bought some hand cards at SAFF.
What’s a girl to do when she has new fiber AND new hand cards? Why card it up, that’s what!
I had originally planned to keep the rolags in the original colour order that they came in, but then I thought of arranging them in a massive gradient, and I couldn’t get the idea out of my head.
Since I now had a box full of beautiful rolags, I had to spin long-draw. Long-draw is a skill I am still learning, so this took me quite a while.
Once I had finished spinning the singles, I began chain-plying the yarn to preserve the colour order I had so carefully established. My singles broke several times, so finally I ran them back through the wheel to add more twist before finishing the plying. Lesson learned: Make sure your yarn has enough twist before beginning to ply, especially for a chain-plied yarn since there isn’t another singles to provide additional structure!
The finished yarn is a glorious 464 yards of yarn. Since this is handspun and I am still refining my long-draw skills, the yarn varies from almost a laceweight to sport weight, with the majority of the yarn being in the fingering weight range.
I don’t have any definite plans for this skein yet, but it would make a lovely shawl or cowl – something that will use up all the yarn and that doesn’t come in pairs of items. I think it would make a beautiful woven scarf. Conversely, it would be gorgeous as a Lost in Time shawl.
I talked a lot about SAFF after I went in October, but there’s 1 more thing I learned that I didn’t tell you about: I love spinning batts! Batts are fluffy swathes of carded wool and they are such a delight to spin! After sampling some batts we made in class I made it a point to buy one that I could enjoy more fully.
Just look at it. Isn’t it lovely? I bought it from Katelyn of DunnSpunn (She’s fabulous! You should check her out!! She had a pair of batts in her shop that were inspired by Anne of Green Gables and her best friend Diana. I wasn’t fast enough to snag them.) The colourway is called Candied Pumpkin, and it’s 3.1 oz of wool, mohair, bamboo, soy fiber and Angelina. I carefully unrolled the batt, stripped it, and spun. If you’re used to spinning worsted you will be amazed at how quickly woolen yarn spins up. I spun up the singles in an evening and a morning, and plied them with some deep green laceweight singles I had leftover from my Lilting Leaves spin.
I love how this yarn turned out. There are thick and thin spots and locks hanging out, and I have sparkly Angelina all over my house, but it’s so worth it. This yarn is gorgeous, and once I figure out how to showcase it in all its glory I’ll make it up into something lovely.
Now if you’ll excuse me, I think I have another batt lying around somewhere.
Late last year I finished a spin that I had been working on since August. I started with 4oz of BFL dyed in lovely shades of green, and paired it with another 4(ish)oz of deep forest green Merino I had in my stash.
My goal was to spin a 2-ply sock weight, so I spun each of the singles as fine as I could while still keeping them even. Spinning fine takes forever, and by the time I was done with the singles I needed a break. Fortunately, this was around the time I went to SAFF, so I was able to refuel, restock, and be refreshed.
Everything was going well until I started plying, but I couldn’t figure out what was wrong. For some reason my plies weren’t locking together like I expected them to. I shrugged it off, figuring that a good soak would set everything to rights. Then 2/3 of the way through plying the yarn started doing what it was supposed to. My heart sank as I realized what had happened: part of the way through spinning the dark green singles I had changed the direction of my spinning. About 2/3 of the yarn was an opposing ply yarn, while the other 1/3 was beautiful and balanced.
I can’t tell you how frustrated I was at first. How can you switch directions in spinning without the yarn breaking or drifting apart? I wanted to have 800-1000 yards of yarn that was all the same so I could make something significant out of it. Now my plan was ruined because of a stupid mistake I made because I wasn’t paying attention.
I took a step back to let myself cool off, then made myself consider the pros instead of the cons. I’ve never made an opposing ply yarn before, so this was a learning experience. Now I know what opposing ply yarn does. It’s rather curly and delightfully kinky because of all the extra twist energy the opposing ply brings to the yarn. I wonder how this would change the texture in a knitted or woven fabric?
In a way this yarn is a lot like life. Everything can seem to be going exceedingly well, and then something happens that throws a wrench in your plans. In times like this it’s important to take the time to reconsider your perspective and see if maybe there isn’t a silver lining after all.
I can’t wait to make something out of this yarn. I think a large woven stole would be just delightful. I’m even considering lightly felting the finished fabric because I’ve never done it before and I think it would really finish the fabric in a beautiful way.
We all make crafting mistakes. What stories do you have of snatching a success from the jaws of failure?
I am privileged to live close enough to Asheville, NC to attend SAFF (SouthEastern Animal and Fiber Fair) pretty much every year. This year the first day of SAFF was the day after my birthday, so I decided to make the whole latter part of the week my party. I started by taking a 2-day class with Abby Franquemont. I’ve been an admirer of Abby since I started spinning several years ago, and taking a class with her was definitely on my bucket list. This class was about colour and structure in spinning, and I had a blast!
The first day of the class we dealt with colour. We started with plain red and plain white wool and talked first about how colour is perceived differently by different people and in different contexts. We then took the red and white wool and started to combine them – first just holding them together or trying to combine them by hand. Then Abby used her drum carder to blend the colours – we spun after 1 pass, 2 passes, and 3 passes. It was really interesting to see the changes that additional blending made. Next we combined the same red and a dark brown in much the same manner, except after a few passes through the drum carder Abby added yellow and purple – colours I initially thought were incongruous, but ended up intensifying the beauty of the blend we were making.
After lunch we came back to talk more about how to handle colour within spinning. Abby had taken a bit of a look around the market and returned with oodles of such beautiful fibers to divide among us so we could try them all. We talked about the different ways fiber (and yarns) are dyed and how often hand-dyed fibers will have some kind of repeat if you look for it. Taking a few minutes to assess how a fiber is dyed can inform how you spin it. After the fiber was divided among us all we each started spinning what appealed to us and took the rest home to play with.
I chose to start with this sea-green that gradually fades into a pinkish-brown and then into gold. I split the fiber down the middle, then spun it end to end for a long gradient singles, then plied it end to end for a 2-ply gradient.
The second day of class we started with show and tell – everyone shared with the class what they had finished since the previous afternoon. It was interesting how even though we all had the same building blocks, we ended up with very different yarns. We spent the day learning about topics as they came up – from tips on using a Lazy Kate to plying with an “Andean” plying bracelet to how to ply more smoothly (pro tip: winding off before plying makes your yarn ply better). We talked about”Navajo” or chain plied yarns, cable plied yarns, and crepe yarns. Most of us had never spun a crepe yarn and wanted to learn, so we focused on that in the afternoon, using 3 different colours of wool to create an unintentionally patriotic yarn.
A crepe yarn is a 3-ply construction where 2 singles are spun in the same direction, then plied in the opposite direction with extra twist added for an extra plying step. A 3rd singles is then spun in the same direction as the first 2 yarns were plied, and the singles and the 2-ply are plied in the opposite direction from the first ply to create a balanced yarn. It’s a really interesting construction and is supposed to be extra strong (so a good idea for high-wear items, like socks). It was really interesting to see how different everyone’s yarns were. Even more than before, we started with the same materials and the exact same directions, and yet no 2 yarns were alike.
The last bit of class was question and answer with Abby and a quick walk through the market to look at all the pretties.
I’m the kind of person who doesn’t usually spend money on a class. I’m all about learning from books,You-Tube, or the internet in general because there is just so much information out there these days. What I didn’t realize before this class is that you get so much more from an in-person experience than you can from reading a book or a blog or watching a video. I have been so inspired since taking this class with Abby, and I have been spinning almost non-stop. So next time you are thinking about taking a class – I highly recommend it!
I love this time of year. The thrill of Autumn is in the air and the leaves are slowly starting to change colours and fall. The days are beginning to be cooler, making this the most lovely time of year to be outdoors. I love Fall. Fall is when I can start to wear all the beautiful woolens I’ve knit throughout the year. I get to pull scarves and shawls and hats out that may not have been used since last winter. Fall is a time for layering and for earth tones and warm things to drink. In Fall I can enjoy the nip in the air without longing for it to be warm again.
I’ve a colorwork hat in the works that is so very Fallish. I can’t wait for it to be off my needles so I can wear it. I’m using handspun from the first time I spun Batts. They were little tiny things made of Merino, Alpaca, and Bamboo, and I had no idea how to spin them.
This may have been my first attempt at woolen spinning, but by the end I was just spinning worsted. The yarn is a 2-ply sport-weight(ish) and is very soft. My contrast yarn is a light fingering weight yarn from Hedgehog Fibers that I bought on my honeymoon. Fingering weight on it’s own wouldn’t stand up well to the sport-weight handspun, so I’m holding it doubled for the most lovely Marl. Really, I can’t tell you how beautiful this is!
I’m making the pattern up as I go, but for the colorwork section I modified a chart from a book the owner of my LYS gave me for my anniversary (Thanks, Krista!!). And last, but not least, I am using Jane Austen stitch markers. This project is just so perfect in so many ways. I can’t wait to see how it comes out! Hopefully you’ll see a new pattern coming soon. Watch this space!
I don’t know about you, but this has been the hardest April I can remember. In fact, I dont think I’ve ever experienced such a difficult start to the year. In December I got a promotion at work. I was in a job I didn’t like, and now I have a job that I enjoy a lot. But the job comes with more responsibility, and with responsibility comes stress. Cue knitting to save my sanity.
A few months ago I finally bought the Knitter’s Almanac. I walked through Elizabeth Zimmermann’s fabulous “unventions” and sage advice, and decided that now was the time to cast on a Pi Shawl. Sometimes you start something and you’re not sure why, but it just seems like the right thing for the time. This shawl is what my brain and my heart have needed over the last few months. I sit down to work on it and it helps me to slow down and stop worrying. The yarns are beautiful and make this knitting a very tactile experience.
Earlier this month I got a call that my grandma was very ill and might not make it for much longer. I bought a plane ticket, packed a bag, and went to be with her. This shawl was such a comfort as I travelled and sat in waiting rooms. I showed it to her and she thought it was so beautiful. And then as she started to recover I knit on it in joy, so pleased that I was not knitting in mourning.
So often in my knitting I try to be smart. The easy solution or the obvious solution are not good enough, I have to do it the hard way. But sometimes I need something easy so that my brain can stop working on overdrive. That is what this shawl is for me.