Sewing a Book Quilt – Part 1

As the title suggests, this will be a new series of posts about a quilt I started late last year. I actually bought the pattern in July of 2020, and one of my 2021 goals was to sew the quilt. That didn’t happen for a variety of reasons, but I am determined to make the quilt happen this year.

One of the biggest reasons I didn’t make progress on the quilt in 2021 is because I didn’t have a plan. So this year I started with planning. I knew I wanted to use the Taller Tales Quilt Block Collection for my quilt, but I wanted it to be more than just a collection of books. I added in the Gnome pattern from the 2021 Quiltmas Spectacular, but I still wanted something else. I hit upon the idea of adding words to my quilt, and I remembered the Thomas Jefferson quote, “I cannot live without books.” Pithy and so very true. When I mashed all these elements together this is what I came up with:

I had never done Foundation Paper Piecing before this quilt, and the first block was frustrating and took longer than I expected. Even so, it only took me about an hour, so I decided I could spare an hour a week to make a block. I calculated that if I sewed a block every weekend they would be complete in 14 weeks. I then gave myself two weeks per row of text, making 8 weeks for the center block. Then I planned 4 weeks to assemble the top, for a total of 26 weeks. My timings were meant to be generous since there will inevitably be a few weekends where I don’t make as much progress as expected. If I am able to follow my plan for the quilt top, that leaves me a full half of the year left for quilting and binding. I don’t have that part planned yet – I will figure it out when I get to it.

For the books and the gnomes I am using my scraps from garment sewing as much as possible. These are all sewn onto a plain white ground for continuity. Not all garment materials are appropriate for a quilt, but I have a fair amount of cotton scraps, and even some from my mom that she used to sew me clothes when I was a kid! I love all the memories this quilt will house once it is done! I am avoiding any fabrics that are stretchy or have significant synthetic components. I am not too worried about colours – I trust that my own sense of colour guided my choices when I bought the fabrics, and thus my stash of scraps is already curated to my personal colour palette. This is also meant to be a scrappy quilt, so as long as nothing screams that it doesn’t coordinate anything is fair game.

The last bit of planning (at least for now): I printed off all my FPP papers for the books and the gnomes. I have selected the alphabet I will be using for the center, but I haven’t ordered the book yet.

With the planning out of the way, I got to sewing! So far I have completed 4 blocks (all the same pattern). I only need 4 of this block, so I will be moving on to the next kind of book this weekend. With each rendition of the block I have gotten faster and better at it. Now I can bang out a block in half an hour – and that includes ironing between each step!

I am so excited about this quilt! The small, quick wins every week are so motivating, and I am having a lot of fun with the FPP technique! I’ll update you once I’ve finished the next round of blocks.

Read Part 2 here.

Tackling the Mending Pile

This week I am tackling my mending pile. If you, like me, have a pile of mending to do, why don’t you join me? Let’s see how much we can get done.

  • Tops
    • Bees shirt – fix gaping neckline
    • Burnt Orange shirt – sew up side slits
    • Blue Adrienne – adjust sleeve elastic (possibly replace sleeves with linen)
    • Green Adrienne – add strap guards, remove small stain
    • Edwardian Blouse – add peplum and closures
    • Bruyere Shirt – adjust waist
    • Embroidered linen top – fix loose embroidery
    • Black Long-Sleeved shirt – fix hole in front
    • Cream Lace Top – hem thread is coming out
  • Bottoms
    • Cream Shorts – finish internal seams, add waistband OR hook and eye closure
    • Herringbone pants – add waistband
    • Floral Plaid pants – adjust waistband
  • Other
    • Patch quilt

The first item I worked on was a burnt orange t-shirt. This was a recent thrift store acquisition and I fell in love with the colour and the interesting cut of the back. Unfortunately, the sides were slit all the way up to the natural waist. I’m not sure if this was where the slit was meant to be, or if it was so high because I’m long-waisted. I sewed the slits up with a whip stitch leaving just under 2″ open at the bottom. This took 10-15 minutes before I started work one morning.

Item number 2 was my Edwardian blouse. I only got to wear it once before it was shrunk in the wash. I unpicked the closures and cut off the neckband and hem. I cut out a peplum using a half-circle skirt pattern, and pleated the bodice to fit. Then I sewed the closures back on and hemmed the new neckline. I won’t say this was an easy fix, but I think it turned out quite nicely. This fix took 3-4 hours.

Item number 3 was my Plaid Floral Pants. I was a few pounds lighter when I made these pants earlier this year, and they were tight in the waist even then. I unpicked the stitching holding the waistband closed on the inside, unpicked the zig-zagging holding the elastic waistband down, then cut the waistband and inserted 2 more inches of elastic. Then I reversed the process: I zig-zagged the waistband elastic onto the waistband, then folded this down and stitched the waistband down on the inside. The pants are still fitted, but are much more comfortable to wear. Bonus: I like where the stitching holding the inside of the waistband down is located better now than where it was before. It’s less visible, and thus provides a slightly cleaner finish. This alteration took 1 to 1 1/2 hours.

Item 5 was my Bruyere shirt. I meant this to be a wearable toile, so I went with the size listed on the pattern envelope and didn’t make any major alterations. The shirt turned out a bit tight at the waist. I think this is partially because the waistband sits too high on me – it sits on top of my rib cage rather than just under it at the true waist. I let the side seams out by 1/4 inch each, resulting in a gain of around an inch at the waistband. This took maybe 15 minutes.

Item 6: My black long-sleeved Alabama Chanin shirt had developed a few small holes in the front. I closed these up with a few whip stitches on the inside. I was able to sew these vertically to align with the ribs in the fabric, so the fix is nearly invisible from the front (The small mark you can see is a mending job for a horizontal hole. It’s amazing the difference in visibility!). This was a simple mending job that took 5 minutes or less.

Item 7: My green Adrienne blouse was too loose in the shoulder elastic. I could have unpicked the seam that joins the sleeve to the body and shortened the elastic, but that seemed way more complicated than it needed to be. Instead I added strap guards using twill tape and a few sew-on snaps. This was a fiddly fix that took about an hour and a half (but only 4 needles-full of thread).

Item 8 was another new (to me) top. The hemstitching on the lace shell had come loose. I did a quick running stitch to tack this back into place. This took 5 minutes or less.

I imposed a time limit of a week to work on my mending, knowing that I would not make it through my whole list. I am really happy with the 7 garments I mended or altered (or edited, as my husband termed it), though there are one or two more that I wish I had gotten to. The time limit was helpful in keeping me from obsessing over mending to the point where I lost all the joy in it, especially since I have quite a few new projects in my mental queue for this Winter. I would highly recommend tackling your mending or alterations pile. I now have 7 garments that are more wearable and that I will not pass over when getting dressed.

Happy Fall, Y’all!

Yesterday was the first day of fall and I got an itch to make something to mark the occasion. I raided my stash and came up with about half a yard of cotton flannel and a few yards of lace. I thought about making a quilted scarf, but decided on a shawl since it would be faster and easier to make and because I love wearing shawls. Plus, a shawl can do double duty as a scarf.

I started by cutting the flannel into the largest square I could manage, then cut that diagonally down the center to make two triangles. I chose to piece one edge rather than cut the entire shawl smaller. After the piecing was done I aligned two straight-grain edges and seamed them together by machine. Then I ironed the seam and felled the seam allowance down by hand with a running stitch. This was the entirety of the construction of the shawl. Next up was finishing and decoration.

The top of the shawl is on the straight grain, so I finished this edge with a machine overcast stitch. Then I added lace to the edges. I used a lace from my stash that had mysteriously been cut into multiple pieces. I joined the lace as inconspicuously as possible to make one long piece, then zig-zagged it to the very edge of my shawl. I stretched the shawl edges slightly as I applied the lace – partly to account for the lace shrinking in the wash and partly because I thought this would make the shawl lay more nicely. Because I stretched the fabric edges I ran out of lace about a foot from the end, so I substituted a similar lace from my stash.

This was a very fun and quick project, and I am excited to wear it more this Fall and Winter. It’s not perfect – the stripe colours don’t align perfectly, and I had to use two kinds of lace, but the overall effect is quite nice, and it was made entirely from stash leftovers. I’ve never had a woven/sewn triangle shawl before. I think the combination of the plaid and the lace is striking and very cute, and it’s very soft and warm.

What is your favourite way to celebrate Fall?

Finally Finished: The 4-year Red Tunic

In the spring of 2016 a friend gave me some fabric. She had gotten a few remnants at a garage sale and thought I might enjoy it – how sweet of her! This was a few months before my wedding, so most of my time, creative energy, and money was going into wedding planning. I assessed the fabric and decided that if I cut carefully I could make a sleeveless tunic, so I used a tunic I had drafted the previous year as a pattern, and got started.

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The fabric is canvassy, possibly a linen/poly blend, and it has decent drape. I was going for a high-low hem, decorative pleats to add fullness to the bust, and a diagonal front zipper as the main focal point.

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I cut my pieces out, sewed the fronts and back together with French seams, and stopped. At the time I didn’t have a dress form or the zipper, and I was daunted by the prospect of draping the front pleats on myself. The top was also rather blocky-looking – not the best look for my shape. So I stuffed everything into a bag, put the bag deep into my stash, and forgot about it for a while.

Over the years I have pulled this project out several times with intentions to finish it, and at some point I even bought a zipper. But it wasn’t till about a month ago that I finally sat down and got it done. I started by assessing the fit. 4 years later, boxy still wasn’t a good look for me, so I pinched a dart/seam into the back to make the top more fitted. I have a bit of a swayback, so back shaping is very important for me to have a decent fit. With that done, I finalized the neckline and put in the zipper. This was a scary moment, but it actually went quite well. Then it was on to the high-low hem, and then finishing the arm-holes with bias tape. After 4 years, my top was finally finished!

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I love the dramatic look of this top, but I’m not super happy with the fit through the waist. But hey, with all the last-minute fitting and the super uninformed cutting and construction at the beginning of the project, it’s not too shabby.

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