One of the things that makes the Luna Lapin patterns so wonderful is how detail-oriented they are. The doll patterns are adorable, but, as the saying goes, the clothes make the man. And the clothes patterns are even better than the doll patterns, if that is even possible. The reason I say this is that the clothes patterns and instructions have the same level of care and detail put into them as if one were making full-size clothes for a human. This attention to detail really sets the clothes apart. Here are the clothes I have made from these patterns so far:
Ginger’s reversible apron: I made Ginger’s Washday Apron as specified in Luna Lapin: Making New Friends, but using two different prints for each side and making sure both sides had a functional pocket.
Anita’s swing dress, pants, and pearl necklace: The dress is Luna’s Tie Shoulder Dress from Sewing Luna Lapin’s Friends. I didn’t have quite enough fabric, so the facings are heavily pieced. I didn’t see a pants pattern that was quite what I was looking for, so I hacked Ramsay’s Cargo Pants from Luna Lapin: Making New Friends to make Anita’s plaid pants. The pearl necklace is made using silk thread. It has knots between each bead and a functional clasp.
My apron: I loved Ginger’s apron so much that I sized it up to fit me! I am 3.5 times as tall as the dolls, so I multiplied the measurements by 3.5 and used the doll pattern as a guide for the angles. I did a quick comparison fitting on myself with the paper pattern, made a few adjustments, then made the apron up in Cotton Duck. I love how it turned out. It is so much fun to wear!!
After making Luna Lapin and Rowan the Redtail Squirrel I was on a roll. It was a case of can’t stop, won’t stop! I had enough felt for one more adorable doll, this time Daisy the Herdwick Sheep.
I cut my sheep out in natural coloured wool with a green floral print for the ears and feet.
The sewing was pretty uneventful. I worked on her slowly, and I brought her to a family gathering at New Years. They all agreed she was already adorable, even before she was put together. I wasn’t sure about the textural bits at her wrists and ankles, and they took a decent amount of time to do, but in the end I decided they are pretty charming.
Once all the bits and pieces were done I added the facial details and then assembled my sheep.
She turned out like this. I am smitten!! I asked my sisters for naming advice again and we decided on Anita Woolsworth. Stay tuned for some cute doll clothes!
After making Dolores de Lapin (Luna Lapin) I couldn’t stop! I had to make more! I had ordered felt for a rabbit, a squirrel, and a sheep, so I chose to make the squirrel next.
I cut the body pieces out of reddish and white felt from The Felt Pod, and the tail pieces from red faux-fur from JoAnn’s that matched my felt surprisingly well (especially since I bought the faux-fur before I received the felt in the mail!). The feet are scraps from making my plaid Bruyere top.
I learned from making my rabbit, and did as much by machine as I could. These animals take a lot of time and can be really hard on one’s hands to make, so any help I can get from the machine is appreciated.
As with my rabbit, I stuffed the squirrel with alpaca fleece seconds. My kitty enjoyed taking a nap on these while I was working.
I had a hard time with the face. There is a lot going on here, and there is not a lot of space to work in. I found it to be very important to leave the back-of-the-head seam open to sew the throat piece on so there would be room to maneuver the piece around in.
After a few days my squirrel was finished! I whipped her up a cute little cross-back apron (it’s reversible!) and giggled with glee about how cute she turned out.
My sisters helped me name her: Ginger Flufftail. The Flufftails are an ancient family of squirrels that are excessively proud of their voluminous and shapely tails, much like the Proudfoots of Hobbiton are proud of their large and hairy feet. I feel like I should write a book on the subject.
I first saw Luna Lapin several years ago on The Crafty Creek’s blog. At the time, I thought Luna was cute, but that stitching a doll by hand was too much effort. And what did I need a bunny doll for? Since then, and it came on gradually, I started to want my own Luna Lapin. I recently saw Sarah Peel’s third book, Luna Lapin: Making New Friends, at my local Barnes and Noble, and my sisters got it for me for Christmas. I ordered my felt from The Felt Pod, and got started.
I traced the pattern pieces for Luna and cut out my pieces. I chose a blue floral for the ears and foot-pads. This fabric was a scrap from something my mom made me as a kid.
I didn’t have any sewing thread on hand that matched my felt, so I used a single strand of embroidery floss to stitch my rabbit. I made sure to wax the thread for strength. I stuffed the rabbit with alpaca seconds from a fleece I was given several years ago.
The final touches were embroidering her face and adding her tail. I used a bit of angora fleece for the tail, which felt like a very appropriate choice.
I sewed on my bunny for four days. I would estimate she took 10-12 hours to complete, but the time was very enjoyably spent. The majority of the construction uses whip stitches, with a little back stitch and machine stitching thrown in for good measure.
With my rabbit done, I started on a simple wrap dress. I used the pattern for Luna’s Sailor Dress, but omitted the collar. I used the lace that was already on this fabric panel (another scrap from my childhood) to lengthen the dress, and closed it with a ribbon tie, rather than buttons or snaps.
I am delighted with how my dolly came out. I’m actually rather surprised by how much I enjoyed the process and how much I love the finished product. I decided to name her Dolores de Lapin (although, she goes by D. D. Hare when she’s feeling adventurous). I have felt for a squirrel and a sheep, too, so watch this space!
I have been in a yellow mood this summer. I see it in my spinning and my sewing (but not so much in my knitting). It started last year with this incredible batt made by my very skilled friend Dia of Twisted Urban. I began the spinning not long after (I use a short draw when spinning woolen), but I mostly spun at our group gatherings, so my progress was slow. As I spun I formulated a plan to stretch this sunshiny perfection as far as possible: I would combine it with more yellow.
This is a braid of Targhee top by Deep Dyed Yarns in the colour way: 5 Golden Rings. I bought it a few Christmases below when it was grey and cold out and I needed a dose of sunshine. I fluffed and then split the top into nests. This fiber will be spun worsted, but I will try to incorporate as much loft as I can for a semi-worsted singles.
All this yellow needed something to mellow it, so I dug around in my stash and found a bag of Southdown rolags that I had processed from Top a few years ago. The fiber is from Beesybee on Etsy. This will be spun woolen with a short draw like the yellow Batt.
I am enjoying taking this project slow. The yarn will be incredible when it is finished!
This is the story of two scarves that lived very different lives.
In September of 2019 I bought two balls of Cascade Paradigm Shift in the Seattle colourway. I loved the bold colour shifts throughout the yarn. I warped my loom for a scarf, started weaving, and then stopped.
A year later, in September of 2020 I pulled my loom out and wove the rest of the scarf in a day. I initially thought the scarf would be too wide and bulky to wear comfortably due to the heavy cotton yarn in both warp and weft, but the looser weave structure makes it very fluid and nice to wear.
A few months later in December of 2020 I needed a last-minute Christmas gift. The cotton scarf was the wrong colour for the recipient, but I remembered how it wove up in a single day and decided to weave another scarf.
The warp was a variety of fingering weight wools in white, with a stripe of pink on one side. The weft was half a skein of Less Traveled Yarn’s Creosote Collection on their Lafayette base. It was mesmerizing to watch the colours shift with every throw of my shuttle.
It took longer than a day to weave, but it was such a lovely experience. The fabric is much finer than its cotton cousin, and it turned out the perfect width.
I twisted and knotted the fringe and then sent it off to its new owner.
I’ve been trying to use up my stash yarn (and avoid buying more), and I forgot how quickly a skein of yarn weaves up! I have the other half-ball of this variegated yarn and a skein of Eggplant to use as a warp. Now I just need to figure out who in my life needs a purple scarf.
I’m at a standstill with a colour decision and I would value your opinion.
Early in 2020 I started spinning up this braid from Deep Dyed Yarns (80/20 Merino/Silk, the colourway is unnamed) that I got in a swap in 2019. I let it sit, partially spun, for over a year before I came back to it.
I had received this braid in a swap in 2018, but had not decided what to do with it. The braid is SuperWash BFL from Two if by Hand in the Public Market colourway.
Several years ago I read an article in Ply Magazine about combining different colourways when spinning and thus creating different, more interesting outcomes through the interplay of colour in the final yarn. This idea grabbed hold of me, and I have been trying to use it ever since (here and here), but my experiments have been mostly combining a single solid colour with a coordinating multi-colour braid. With the idea of combining colourways in the back of my mind, I started to consider what a pairing of these two braids would look like. To me the colours seem like bolder and paler versions of each other: one braid is Mardi Gras, the other is almost pastel. So I spun up the Mardi Gras braid, with plans to ply the two together.
I had always planned to include a third ply in white or light grey to soften the Mardi Gras colours and help tie them into the pastels. I have a package of light grey wool that is similar to the light grey in the Deep Dyed colourway, but a little more brown. I also have a skein of cream mohair yarn (laceweight) that could give a beautiful halo to the final yarn as well as diffusing and blending the bold colours.
I was pretty set on this course of action, when I received a braid of the same colourway (but a 60/40 Organic Polwarth/Mulberry Silk base) in a swap just a few weeks ago! This opens up the possibility of having two plies of the Deep Dyed colourway with one ply of the Mardi Gras, and I love the continuity of using this third swapped braid.
Now that my original two braids are spun up I am losing my nerve. Some days I think they will be brilliant together, some days I think the combination is horrid. And now I have too many options. Reader, I need your help: which do you think is the best option?
Go with the original plan: Mardi Gras, Pastels, Grey
Go with the original plan: Mardi Gras, Pastels, Mohair
Spin the new braid up and ply with the original two braids
Create two or more individual yarns: 1 ply of Deep Dyed with 1 ply of Grey; 1 ply of Mardi Gras with 1 ply of Mohair
Something else entirely – what brilliant ideas do you have?
I have always loved the clothing people wore in the past, so I have very gradually begun to add historically inspired garments to my wardrobe. I am interested in several time periods: Medieval, Tudor, mid-18th Century, Regency, Edwardian, and the list goes on.
One of the first of the historically inspired garments I finished was the striped petticoat I made last year, which fits into the mid-18th century category. I fast-forwarded into the Edwardian period earlier this year, and made a shirtwaist. I used the Wearing History Edwardian Blouse and Guimpe pattern, and made it up in a delicious textured wool shirting from Denver Fabrics. I had never worked with wool shirting before, and I found this fabric to be delightful!
I made the high-neck version of the blouse with no alterations, choosing to treat this as a wearable muslin. Wool is forgiving, and the blouse is fashionably (for the 1910s) oversized. The construction was quite straightforward, and the instructions were easy to follow. The sleeve was so interesting to construct! The part of the sleeve seam that is toward the back of the arm is longer than the part that is toward the front of the arm. The back part is gathered slightly and eased into the front part, which creates a sleeve with plenty of room in the elbows. It was also interesting inserting the sleeve into the armhole since the sleeve seam and side seam do not line up, and the great majority of the shoulder ease is located at the back rather than being distributed evenly throughout.
Instead of inserting a waist casing I marked the waist with a length of twill tape and adjusted the front and back into pleats so I wouldn’t have to adjust it every time I put it on. I secured the pleats with a length of elastic for ease of wearing. I hemmed the bodice and sleeves using my favourite rolled hem variation, and used snap tape for the back closure instead of buttons or hooks and eyes. The snap tape was SO EASY to use and saved me so much time! 10/10 would recommend. I did have one snap break, though, so if you choose to use snap tape I would recommend that you inspect your snaps before inserting the tape into your garment.
With that the construction was done! I wore it a few times, and snapped a few photos before throwing it in the wash.
That is when disaster struck. I told you this was wool fabric. I had been diligent and prewashed and dried the fabric on a Delicate setting. My dear husband did laundry that weekend, and used the Normal setting. My poor blouse shrunk. Thanks to the loose fit in the body I can still get it on, but it is tight across the back and too short in the arms and body now. I think I can unpick the snap tape and let out the back, but I will probably have to remake the sleeves. And possibly add length to the body? Oh well. Live and Learn. I have linen to make another version of this that will be more appropriate for summer.
This is apparently a year of completing abandoned projects. I finished both my Red tunic and purple tunic (I guess I was going through a tunic phase when I started these a few years ago), and now I have another finished object that has been saved from the obscurity of the UFO pile. Early last September I warped my loom with some handspun and started weaving with a ball of Kidsilk Haze from my stash.
I had never worked with mohair before, and wanted to see what would happen when I wove with it. I also had never worked with different colours in the warp and weft, and was curious to see what colour the finished fabric would read as.
I started with plain weave, then worked 3 rows of Brooks Bouquet lace about 6 inches from each end. The rest of the scarf is plain weave.
Initially the ends were finished with overhand knots, as I didn’t have a fringe twister and didn’t want to twist all those ends by hand.
I recently got a fringe twister from Fiber Artist’s Supply, so the ends have finally been twisted into a neat and tidy fringe.
Overall I’m pleased with how this experiment turned out. It’s light as air, and the lace is very pleasing. I am a bit worried about the prickle factor, but I find that fabrics seems less prickly when I am cold, so I am hoping this will not be a problem.